REAL architecture doesn’t always exist in real physical space. Sometimes the most profound architectural experiences are the internal and imagined ones. Some have argued that all architectural experience is internally created and that this process is continuously happening in every space we inhabit.
However the philosophical aspects of subjective spatial experience shall be left aside in this blog as I want to illustrate the more easy to recognise internal architectural experiences that are so incredibly important in opening the flood gates of inspiration that often leads us to creating beautiful built work in real physical space.
Such internal architectural experiences are often facilitated and aided by beautiful immersive drawings that lubricate the pistons of our imaginative faculties and help us inhabit, move around and feel a space that is not constrained by the physical laws and constraints that often govern our everyday. Shaun Tan’s surreal, wonderful and sensitive hand drawings from his children’s book ‘The Arrival’ do just this. The content is confusing and ambiguous but this is what makes them so enticing and interesting...our inquisitive imagination can’t help but begin to tick over ‘What are those giant owls...are they houses? ...Hills? Where is that tail going to?’ ...this is the beginning of the internal and imagined architectural experience...
Sunday, 8 November 2009
Thursday, 5 November 2009
In Post revolutionary France a struggling young Architect called Jean-Jacques Lequeu created these drawings, a mad mix of Egyptian, Gothic, Classical and most of all Baroque (but with more grandiose sheep). Along with the Architecture he dabbled in portraits and pornography, but these marvelous visions, with their completely unconventional mix of the weird and the wonderful remind me of the light-heart follies of Fujimori or the wonderful illustrations of Shaun Tan, more on him later.